Justine Joli
Also known as: Justine Jolie - Swan - Hope - Justine - Ashley - Sarah - Seana Hawkins
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Körper
Über Justine Joli
Justine Joli is originally from St. Louis, Missouri, and over the course of her career, she graced 400 magazine covers, participated in 171 photoshoots, and appeared in 329 videos for notable companies such as ALS Scan, Digital Desire, Holly Randall, Glamour Models Gone Bad, Milfed, Barely Legal, In the Crack, Hustler, Penthouse, and Twistys, before retiring in 2016. She began her journey into nude modeling at 19, initially using the name Swan. After a handful of shoots, she ventured into the adult film industry with Ed Powers, marking her debut by performing a masturbation scene and oral sex on him. Following this initial foray, she engaged in a few boy/girl photoshoots—her sole ventures in that format throughout her career. Shortly afterward, she entered a relationship and opted to focus exclusively on hardcore girl/girl scenes.
From 2000 until her retirement, Justine Joli established herself as a leading performer in the girl/girl genre, starring in over 300 films. She has acknowledged her attraction to women and identified as bisexual, yet she had never engaged in sexual relationships with women outside of her work in the industry. "I got to fuck some of the hottest women in the world," she recalled, explaining that pornography satisfied her curiosity and desire, which prevented her from seeking personal relationships with women. Justine Joli has openly shared her traumatic past, detailing on shows like the Howard Stern Show and Geraldo at Large that she was molested by three men from ages 3 to 10, including her grandmother's ex-husband. Two of these men faced legal consequences for their actions. Since she was 13, Justine has been in therapy. During her late teens, she relocated to the Los Angeles area with her mother. Additionally, she is featured in Edouard Salier's short film, Flesh, which provides a fictional representation of Manhattan's life and death during an imagined 9/11 event.
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